Walid

After I shot the start, against the morning Maasser el Chouf landscape, I hitched a ride in an army bus and we drove past the last runners. Most of runners start having doubts about reaching the end but then they would see Walid coming towards them, returning to run by their side the remainder of the course.

Once he reached the finish line, Walid turned round and went back out there, to catch up with his Beirut 542 team members still on the road. Again and again he would pace his teammates in their final mile. It was beautiful to watch. The final yards were around the corner, in the winding mountain road of Khraibeh, and you could see Walid point the way and let his teammate run the final yards on their own, as he went back for another teammate still out there.

In soccer, you run up and the down the field all the time. A favorite pastime for Walid, he used to do that in a past when he played with local soccer teams in Beirut. It wasn’t the same as running long distance though. In team sports, one team is pitted against another, and the goal is to beat that other team, and in a place like Lebanon, all the things that divide us rise up to the surface and people shout them out, unashamedly. At one point in his life, Walid no longer wished to hear those words. He went running all by himself in the dead of night. He would see the sunrise as he reached the white sand dunes of Ramlet el Baida.

Walid’s been running since the 90s, so when the BMA launched its very first marathon, it was a match made in heaven. Walid never missed a race, and went on to become a 542 team leader, training new marathon runners every year. This year is special though, with many races serving as training for November’s marathon.

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G. H. Rabbath

G. H. Rabbath is a performative writer, and photographer. He taught Cognitive Science and Art Theory in a Beirut University, and his Ph.D. Thesis was referenced in philosopher Jean Clam's Orexis. G.H. Rabbath engaged in several meta-artistic interventions in the art world since 2009 and the publication of 'Can One Man Save the (Art) World'. He curated in 2010 M. Obaidi’s latest show in Art Dubai along side publishing 'Mr Obaidi and the Fair Skies® Corporation' that addressed the neuroscience of racial bias in relation to conceptual art. In 2011 he obtained the officials nominations of curator and commissioner of the Lebanese Pavilion for the 54th Venice Biennial, and created 'institutional void' in the Arsenale as part of a neo-Situationist project. Other interventions took place in L.A, Copenhagen, Helsinki, Sharjah. In 2013 he obtained directorship of art project spaces in Beirut where he launched The Better World Project. In 2014 he launched 'Signing with Light' a photography project for the benefit of Gulflabor.org that will take place in the U.S. and Europe. His work can be seen on http://saatchiart.com/ghrabbath

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